Source: Flow State
Mulatu Astatke left aeronautical engineering for jazz, then fused Ethiopian traditional music with Afrobeat and funk. This happened at a moment when non-Western musicians could claim ownership of their own sonic modernization rather than wait for Western validation. His influence on the Ethiopian jazz scene and subsequent global canonization matters because it establishes a template: artists from the Global South building cosmopolitan work on their own terms, not as exotic supplements to Western genres. Flow State’s revisit five years later reflects sustained appetite for foundational figures as streaming platforms and digital curation have made deep catalog exploration frictionless.