“All waltzes are for ghosts”

Source: The Substack Post

The reflexive comparison to New Orleans as America’s cultural reference point for decay, music, and nostalgic vitality is becoming a trap—what this piece suggests is that we’re fetishizing a specific *type* of American decline rather than recognizing that cultural haunting is now distributed across multiple geographies, making New Orleans less a unique template and more a convenient metaphor that obscures how different cities are producing their own kinds of beautiful rot. This signals a deeper exhaustion with a single-city-as-symbol framework; the real cultural energy may be in refusing neat geographical narratives altogether.